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release Date - 2019

Benedetta wants to disappear. An iconic fashion model in the 1960s, she became a muse to Warhol, Dali, Penn and Avedon. As a radical feminist in the 1970s, she fought for the rights and emancipation of women. But at the age of 75, she becomes fed up with all the roles that life has imposed upon her and decides to leave everything and everybody behind, to disappear to a place as far as possible from the world she knows. Hiding behind the camera, her son Beniamino witnesses her journey. Having filmed her since he was a child in spite of all her resistance, he now wants to make a film about her, to keep her close for as long as possible - or, at least, as long as his camera keeps running. The making of the film turns into a battle between mother and son, a stubborn fight to capture the ultimate image of Benedetta - the image of her liberation

Genres - Documentary

audience score - 129 vote

Director - Beniamino Barrese

country - Italy

Se non sapete chi è esattamente che opinione state esprimendo? a caso. La scomparsa di mia madre film completo. Synopsis Benedetta was a muse to Warhol, Dali, Penn and Avedon as she was an iconic 1960s fashion model. In the `70s, she fought for women`s rights and emancipation. However, by the time she`s 75, she is tired of the roles imposed on her throughout her life. She wants to disappear but her son Beniamino wants to make a movie about her, in hopes of capturing her ultimate image, that is the image of her liberation. Movie Trailer.

La scomparsa di mia madre 2. Questa donna è splendida nella sua naturalezza, nell'intelligenza... e nell' anima anche pare. Ce ne vorrebbero di piú di donne come lei a contrastare questa consumistica superficiale societá♥. La scomparsa di mia madre de. La Scomparsa di Mia madres. February 9, 2019 12:24AM PT Beniamino Barrese aims the camera at his former-supermodel mother — and she ducks — in this discomfitingly invasive documentary portrait. In the age of Instagram, it may be hard for many to grasp that others might still treasure their privacy, to the point of actually loathing the camera. Beniamino Barrese ’s first feature is an interesting exercise in cinema-as-weapon, even if it probably wasn’t originally intended as such. The director is a photographer whose mother, Benedetta Barzini, was an early supermodel, her face all over magazine covers in the 1960s. Today she abhors the invasiveness of being reduced to an image — yet her son keeps sticking that lens in her face. “ The Disappearance of My Mother ” is a successful piece of documentary filmmaking inasmuch as it’s entertaining and dextrously crafted. But its precise intent is unclear. Seldom has a movie’s subject so frequently told its creator to f— off. As far as we can tell, she’s right to do so; surely there’s a point at which familial love is more important than badgering a loved one “for art’s sake. ” Yet that’s the line Barrese keeps crossing, without ever quite revealing what goal might justify a process that practically amounts to elder abuse. Happy to escape a fatherless home and wealth-obsessed mother, Italian teen Barzini was “discovered” in 1963, quickly rising to international success. We see her posing in couture fashions of the era, hanging out with such A-list patrons as Andy Warhol and Richard Avedon. But she became disillusioned, the Women’s Liberation movement opening her eyes to feminist (and Marxist) principles in direct opposition to her professional world of consumerist glamour. She now teaches fashion students, training them not in sales or design but in parsing those industries’ objectification of women. She dresses down to accept a local award and hates being recognized as a celebrity. It’s her dream to disappear onto an island so remote that computers, telephones — and those dreaded cameras — cannot reach it. How seriously are we to take this desire? It’s hard to know. On the one hand, Barzini appears to be downsizing her cluttered habitat for some kind of departure. On the other, some alleged leave-taking scenes appear to be staged. Indeed, she’s often being directed by her son, which only heightens her exasperation at participating in a project she deems false and unnecessary. Barrese films her when she’s cooking, sleeping, waking or, for the first time in decades, seeing ex-model friend Lauren Hutton — who also berates Barrese’s insensitivity. All this would make sense if the director were wearing his mother down in pursuit of some buried family secret, emotional hangup, or some other difficult personal issue. But we learn little about Barzini that’s not conveyed by either the beauty of her iconic modeling images or the understandable crankiness of her old age. Did she have other children? Spouses? Yes, and yes. But you won’t learn those basics from this film. It’s also never explained why we see her participating in London Fashion Week and a seaside fashion shoot, exactly the sorts of things she claims to have gratefully left behind nearly half a century ago. Does she need the money? Reflecting Barrese’s own prior work in commercials, fashion promos, music videos and the like, “Disappearance” is highly worked in packaging terms. It’s a complex if skin-deep collage of different aspect ratios, black-and-white and color, vérité and archival footage, dramatic re-creations (several model-actresses perform the role of his mother’s younger self), arresting soundtrack choices and other sophisticated aesthetic contrasts. Forever protesting yet complying out of maternal duty, Barzini gives as good as she gets. She’s a strong character, so there’s little worry she’ll be scarred by the experience. Stimulating as it is on the surface, “Disappearance” may be truly useful only in the context of a Documentary Ethics 101 course. It’s a blunt illustration of an elemental principle: Filmmaker, do not abuse thy subjects. Disney and Pixar’s “Onward” debuted this weekend to $40 million, enough to lead box office charts but still a somewhat disappointing start given the studio’s near-flawless track record when it comes to animated fare. Internationally, the film brought in $28 million for a global tally of $68 million. “Onward, ” a fantastical adventure about two brothers [... ] MADRID — The Walt Disney Company and Spain-based telecom Telefónica announced Sunday a multi-year strategic alliance which will see streaming service Disney Plus launch in Spain on Movistar Plus, Telefónica’s pay TV-SVOD service. Following fast on the heels of carriage arrangements unveiled last week with Sky’s Sky Q and Now TV for the U. K. and [... ] Meghan Markle, the Duchess of Sussex, made a surprise visit Friday to a high school in Dagenham, East London, to speak about gender parity ahead of International Women’s Day. Her visit also marked the 50th anniversary of Britain’s Equal Pay Act, which sought to prevent discrimination against women in the workplace. Markle was joined on [... ] “No Time to Die, ” Daniel Craig’s final film as James Bond, has been delayed until November due to concerns over COVID-19, but the actor still took the stage at Studio 8H in New York Saturday to host “Saturday Night Live. ” And in doing so, he brought with him one of his favorite scenes from the [... ] After South by Southwest was cancelled on Friday over concerns about the coronavirus, two of its founders told the Austin Chronicle that the film festival doesn’t have insurance to cover the cancellation. Nick Barbaro, a co-founder of SXSW who is also the publisher of the Chronicle, told the paper that the festival does not have [... ] Leaders of the Directors Guild of America have approved a three-year successor deal to the DGA master contract, triggering a ratification vote by the 18, 000 members. The DGA national board announced Saturday that it had approved the deal unanimously. The guild revealed that the agreement includes a significant increase in residuals for high-budget streaming content, pension, [... ] In “Last and First Men, ” Tilda Swinton is the literal voice of the future: a disembodied narrator from the hyper-evolved “eighteenth species” of humanity, calmly but desolately reaching out to us from a world some way past 2, 000, 000, 000 A. D. Given that we always suspected as much about Tilda Swinton, it’s a comforting choice: the one [... ].

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Aging fashion model Benedetta Barzini strives to get away the sector of photographs and disappear for top, but her son’s dedication to make a very last film about her sparks an unexpected collaboration and war of words with the digicam’s gaze.

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